The adapted screenplay that veteran director Michael Hoffman (Gambit, Soapdish, Restoration, One Fine Day, A Midsummer’s Night’s Dream, The Emperor’s Club, Game 6, The Last Station) co-wrote with Will Fetters and J. Mills Goodloe is based on the 2011 Sparks novel of the same title.
For most of its running time, The Best of Me is an effective tearjerker, which means it’s a weepie that isn’t creepy or sleepy.
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But in the final reels, the narrative goes off the rails. Hoffman’s script backs the film into a corner that only the most blatantly synthetic coincidence can get it out of, and offers a resolution that is so contrived it will make even members of the target demographic laugh out loud.
Laugh at, not with.
Both Marsden (who replaced the late Paul Walker, who was originally cast) and Monaghan have done plenty of creditable work prior to this -– he in such films as X-Men, Hairspray, Superman Returns, Enchanted, and Death at a Funeral; she in, among other titles, Kiss Kiss Bang Bang, Mission: Impossible III, Gone Baby Gone, Source Code, and television’s “True Detective.”
Here they both get the chance to shine in lead roles that showcase them more fully, and the script’s limitations and failings don’t really undermine their performances, which are lived-in and natural, although it doesn’t help that the actors cast as the teenage protagonists look distractingly inappropriate as younger versions of these two main characters.
But we’re so taken aback by the events in the late going that just about all the goodwill already generated is wiped away in a flash.
So be prepared to reunite 2 stars out of 4. The best of The Best of Me comes early, but this romantic drama is betrayed by its painfully wrongheaded third act.


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